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    Natalie Jane Hill Previews ‘Hopeful Woman’ with Dreamy Closing Track “I Thought Love Meant”

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    This Week in Asheville: Jan. 12-18

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Review: Peelander-Z at Third Room

I first encountered Peelander-Z in 2007 at a small Brooklyn venue, long before the name carried much weight beyond the...
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This Week in Asheville: Oct. 6-12

Asheville’s wealth of live music, theater, and comedy offerings can leave concertgoers feeling overwhelmed when it comes to picking which...
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Review: Being Dead at The Grey Eagle

During its April 16 set at The Grey Eagle, as co-lead vocalists Falcon Bitch and Cody Dosier nonchalantly swapped guitar...
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The Year That Was: Local artists reflect on 2025 (Part One)

Tanner YorkTanner York, Balloon Stampede 5 Favorite Albums of 2025: (no particular order) 22° Halo – Lily of the Valley;...
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Powder Horns Returns with Expansive New Single “ON/ON”

On Monday, Asheville’s Powder Horns offered a first taste of new music since their fiery 2024 EP The Defeatist. From...
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Doss Church & The Unholy Noise Celebrates Release of Debut LP

Fronted by Alabama-born Doss Church, this local alt-country outfit has been a fixture of the Asheville music scene for the...
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Interview: Meg Remy (U.S. Girls)

“I’m doing my own thang / I don’t owe you anything.”  That defiant declaration from U.S. Girls’ “Like James Said”...
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Review: TAKAAT at AyurPrana Listening Room

There’s no question that Mahamadou Souleymane is the star of Mdou Moctar. The frontman from Niger — known for his...
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Interview/Review: Billy Woods & PremRock at Eulogy

On June 25 in Asheville, Billy Woods stepped onto the Eulogy stage with just a mic in hand and his...
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Review: Beach Fossils + Being Dead at Eulogy

The folks at Burial Beer Co. sure do love Beach Fossils.  Over the years, the Brooklyn band has played multiple...
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